Volume I · MMXXVI
Portrait of Vikram Joshi, Sopciaga Curator

A Curator

Vikram Joshi

South Asian & Middle EasternIndian parallel cinema, Iranian New Wave, Turkish, Lebanese, Palestinian work

"My grandfather worked at a cinema in Bombay in the 1950s; he projected Pyaasa. I have never gotten over this fact. I grew up between Birmingham and Bombay, watching Satyajit Ray, Ritwik Ghatak, and Mani Kaul at home and absolutely nothing of theirs in any cinema."

"The films I send run from Ray through Kiarostami through Asghar Farhadi through Elia Suleiman. There is a sensibility across this corridor — patient, devotional to faces, slightly absurd — that I am trying to put in front of you."

— Vikram

From recent slates

From Kiarostami, late period. Two characters in a car for almost the whole running time. The car is moving the entire time. The car is also, somehow, going nowhere.
— On a film sent in January, title withheld
Ritwik Ghatak's Subarnarekha. Long, difficult, and worth it. There is a moment with a train that I cannot describe without weakening it.
— On a film sent in May, title withheld
A Palestinian film. I will not say more about its politics — the film itself does not press them, and neither will I. Watch for the long take on the road.
— On a film sent in September, title withheld

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